Nirvana were a United Kingdom-based progressive rock band active in the late 1960s and early 1970s.[1][2] Though the band achieved only limited commercial success, they were acclaimed both by music industry professionals and by critics.[3] In 1985, the band reformed. The members of the original Nirvana took Kurt Cobain to court over the name, eventually reaching a settlement. Patrick Campbell-Lyons also stated that Nevermind had a very similar cover to Simon Simopath.[4]
A who's-who of behind-the-scenes craftsmen, who went on to become Britain’s top producers, arrangers, engineers and mixers of the 1970s, chose to work with Nirvana in the late 1960s and in essence cut their studio teeth working with Nirvana. Two of these arranger/producers actually worked with Nirvana before working with The Beatles and The Rolling Stones.
The group were in the school of baroque-flavoured, melodic pop-rock music typified by the Beach Boys of Pet Sounds and God Only Knows, the Zombies of Odessey and Oracle and Time Of The Season, the Procol Harum of A Whiter Shade of Pale, the Moody Blues of Days of Future Passed and Nights in White Satin and the Kinks of Waterloo Sunset and the Love of Forever Changes. The majority of the tracks on Nirvana's albums fell into that broad genre of contemporary popular music, not easily categorized but perhaps best described as the baroque or chamber strand of "progressive rock, soft rock or "orchestral pop" and " Chamber Pop".
The Nirvana song "Rainbow Chaser" is thought to be the first-ever British recording to feature the audio effect known as phasing or flanging throughout an entire track, as distinct from occasionally within a song such as the Small Faces in "Itchycoo Park". Phasing was, by 1967, heavily identified with the musical style known from 1967 onwards as psychedelia, and as "Rainbow Chaser" was the only Nirvana single to achieve commercial success, peaking at number 34 in UK Singles Chart during May 1968,[11] they were invariably tagged as a "psychedelic" band. However, despite their name, promotional photographs on the cover of their first album wearing "flower power" style clothes that implied associations with "druggy" music and distorted acid rock-style guitars, the band actually had no associations with that style of music. "Rainbow Chaser" was one of the few Nirvana recordings that had any connection with "psychedelic" music, although "Orange and Blue" (1970) was acknowledged to have been written under the influence of LSD according to the liner notes of the eponymous album.
Nirvana’s producers, arrangers, engineers and mixers included:
• Chris Blackwell, Island Records' founder who produced the band before hitting his production stride in the 1970s with Bob Marley
• Tony Visconti, Arranger/producer, before he worked with David Bowie, Marc Bolan, the Moody Blues and U2, among others
• Mike Vickers, former Manfred Mann multi-instrumentalist, who undertook arrangement work for Nirvana in 1967 and 1968
• Jimmy Miller, the US-born producer, who worked with them immediately before starting his five-album streak producing the Rolling Stones, including the Beggars Banquet, Exile On Main Street and Goats Head Soup albums.
• Chris Thomas, the producer, whose credits include The Beatles, Procol Harum, Roxy Music, Pink Floyd (mixed The Dark Side of the Moon), the Sex Pistols and INXS.
• Guy Stevens, A&R executive and producer, before his production work with Mott the Hoople.
• Brian Humphries, the recording engineer, who started engineering Nirvana before going on to work with Traffic, Black Sabbath, McDonald and Giles and Pink Floyd (eventually engineering their acclaimed Wish You Were Here and Animals albums).
Artist : Nirvana (UK)
Album : The Story of Simon Simopath
Genre : Psychedelic pop
Year : 1967
Songs : 10
Playtime : 00:25:14
Size : 58,23 MB
Codec : MPEG 1 Layer III / Lame 3.99 / 320 kbps
1. Wings of Love
2. Lonely Boy
3. We Can Help You
4. Satellite Jockey
5. In the Courtyard of the Stars
6. You're Just the One
7. Pentecost Hotel
8. I Never Found a Love Like This
9. Take This Hand
10. 1999
The Story Of Simon Simopath is the debut album by British psychedelic band Nirvana, released by Island Records in 1967. The lyrics trace the story from life to death of the titular hero via a series of short songs. The story deals with a boy named Simon Simopath who dreams of having wings. He is unpopular at school, and after reaching adulthood (in 1999) goes to work in an office in front of a computer. He suffers a nervous breakdown and is unable to find help in a mental institution, but gets aboard a rocket and meets a centaur who will be his friend and a tiny goddess named Magdalena, who works at Pentecost Hotel. Simon and Magdalena fall in love and get married, followed by a jazzy party.
"Pentecost Hotel" was released as a single with the non-album B-side, "Feelin' Shattered'." "Wings of Love" was the next single, also with a non-album B-side, "Requiem to John Coltrane." "Girl in the Park," from the second album All of Us featured the B-side, "C Side In Ocho Rios," which is an instrumental version of "In the Courtyard of the Stars."
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Wait, I might have misunderstood what I read but are you saying that UK 60's band ended up being 90's Nirvana when they reunited and added Kurt Cobain? Cuz that's not how the story goes
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